Ketterer Kunst Logo

Search Lots

Sale: 455 / Art of the 19th Century, Nov. 24. 2017 in Munich Lot 66

 
Lot description
Herbst III. Um 1910.
Oil on canvas.
Warmt G 445. Lower right signed. 94.5 x 192 cm (37.2 x 75.5 in).
The painting originally served as overdoor (together with the pendant "Kiefern im Winter II", Warmt G 446). It is framed in the original wall cladding. [CB].

PROVENANCE: Rudolph Lepke, Berlin, auction on 9 April 1929, lot 42 ("Der Schwielowsee bei Werder"), black-and-white illu. on plate 17.
Private possession Brandenburg.

LITERATURE: Karl Scheffer, Karl Hagemeister, in: Kunst und Künstler, issue 8, Berlin 1910, black-and-white illu. on p. 417 (there described as "Superporte").
"Did Hagemeister also make pictures in smaller formats? Nonsense! I don't fool around like that. Everything in nature is big!‘"
Karl Hagemeister, quote after: Hendrikje Warmt, Karl Hagemeister. In Reflexion der Stille, Berlin 2016, p. 59.

Called up: November 24, 2017 - ca. 16.48 h +/- 20 min.

Essay
"Hagemeister internalized the world of Impressionism through the contact with the most modern artists of his days and he was also coined by study trips to Paris [1884/85], where he saw the art of Manet or Monet. During the years of change he found orientation with the great protagonists of Modernism, transferring their pictorial approach into his own style by employing color as an independent value, in order to add motion, rhythm and liveliness to his landscapes. […] His landscapes are characterized by their color variety, employed in well-measured doses they open out into chromatic nuances. Among his most common stylistic means we find thick splatters of paint, leaves rendered in dabs or blades of grass in the wind executed with swift brushstrokes which leads to the impression of a landscape in motion. Quickly capturing and transferring the motif helped him to create motion and to imitate the rhythm of nature. On the other hand, the haptic element in Hagemeister‘s painting made for the liveliness of his lakefront pictures or seascapes. Color reliefs let mounds, foliage or wave crests appear plastic and tangible. A spot of red paint paint thrust onto the canvas is formed to the fruit of a seaberry bush, various shades of brown illustrate the lakeside paths in Lohme. Only sensual perception of nature allows the creation of intrinsic values." (Hendrikje Warmt, Karl Hagemeister. In Reflexion der Stille. Monography and catlog raisonné of paintings, Berlin-Brandenburg 2016, pp. 181ff.).
66
Karl Hagemeister
Herbst III, Um 1910.
Oil on canvas
Estimate:
€ 25,000 - 35,000

 
$ 29,250 - 40,950

+
 


More Images
Karl Hagemeister - Herbst III - Frame image
Frame image
 
Similar objects on the intarnational auction market
More offers for Karl Hagemeister
You might also be interested in
Buyer's premium, taxation and resale right apportionment for Karl Hagemeister "Herbst III"
This lot can be purchased subject to differential or regular taxation.

Differential taxation:
Hammer prices up to € 500,000: 32 % buyer's premium
Hammer prices above € 500,000: for the share up to € 500,000: 32%, for the share above € 500,000: 27% buyer's premium
The buyer's premium contains VAT, however, it is not shown.

Regular taxation:
Hammer prices up to € 500,000: 25 % buyer's premium plus statutory sales tax Hammer prices above € 500,000: for the share up to € 500,000: 25%, for the share above € 500.000: 20% buyer's premium, each plus statutory sales tax

We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.

Resale right apportionment:
Objects made by artists who have not died at least 70 years ago are subject to a resale right apportionment of 1.5% plus statutory sales tax.
Karl Hagemeister - lots sold by Ketterer Kunst