265
Joseph Beuys
Mit dem Ende der modernen Kunst fängt die Kunst erst an (Fotografie von Werner Krüger), 1979.
Color photograph, inscribed by Joseph Beuys in ...
Estimate:
€ 40,000 - 50,000
$ 46,800 - 58,500
265
Joseph Beuys
Mit dem Ende der modernen Kunst fängt die Kunst erst an (Fotografie von Werner Krüger), 1979.
Color photograph, inscribed by Joseph Beuys in ...
Estimate:
€ 40,000 - 50,000
$ 46,800 - 58,500
Joseph Beuys
1921 - 1986
Mit dem Ende der modernen Kunst fängt die Kunst erst an (Fotografie von Werner Krüger). 1979.
Color photograph, inscribed by Joseph Beuys in brown ink.
Signed and dated at the top, and titled at the bottom. 255 x 125 cm (100.3 x 49.2 in), the full sheet.
Not unframed for cataloging. Made at the Hessian State Museum, Darmstadt (artist in front of a mastodon skeleton).
Includes a full-size digital print of the original work and an accompanying confirmation of this reproduction issued by Eva Beuys dated June 21, 2011. [KA].
• Unique piece.
• Photography as a medium: Beuys uses his own image as an independent artistic statement.
• Created in the year of the groundbreaking exhibition “Art = Capital – Joseph Beuys, Robert Rauschenberg, Andy Warhol” at Hans Mayer's gallery in Düsseldorf, where Beuys and Warhol met in person for the first time.
• In the same year, the Solomon R. Guggenheim Museum in New York dedicated an extensive retrospective to Beuys.
• Programmatic work title: a sharp statement of Beuys’ expanded concept of art.
• Joseph Beuys remains the most sought-after German artist of the postwar period on the international art market.
PROVENANCE: Werner Krüger Collection, Cologne (acquired directly from the artist).
Géza Istvan Schlégl Collection, Switzerland (acquired from the above).
EXHIBITION: Joseph Beuys. Auch wenn ich meinen Namen schreibe zeichne ich, Galerie & Edition Schlégl, Zurich, September 26, 1989, pp. 48–49 (with full-page color illustration).
Joseph Beuys. Aprovechar a las ánimas = Joseph Beuys. Fer profit a les ànimes, Centre de Cultura Sa Nostra, Palma de Mallorca, Nov. 10–Dec. 12, 1992.
Beuys - Lehmbruck. Denken ist Plastik, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, 2021, cat.no. 174 (illustrated in black and white on plate 14on p. 59).
Called up: June 13, 2026 - ca. 16.40 h +/- 20 min.
1921 - 1986
Mit dem Ende der modernen Kunst fängt die Kunst erst an (Fotografie von Werner Krüger). 1979.
Color photograph, inscribed by Joseph Beuys in brown ink.
Signed and dated at the top, and titled at the bottom. 255 x 125 cm (100.3 x 49.2 in), the full sheet.
Not unframed for cataloging. Made at the Hessian State Museum, Darmstadt (artist in front of a mastodon skeleton).
Includes a full-size digital print of the original work and an accompanying confirmation of this reproduction issued by Eva Beuys dated June 21, 2011. [KA].
• Unique piece.
• Photography as a medium: Beuys uses his own image as an independent artistic statement.
• Created in the year of the groundbreaking exhibition “Art = Capital – Joseph Beuys, Robert Rauschenberg, Andy Warhol” at Hans Mayer's gallery in Düsseldorf, where Beuys and Warhol met in person for the first time.
• In the same year, the Solomon R. Guggenheim Museum in New York dedicated an extensive retrospective to Beuys.
• Programmatic work title: a sharp statement of Beuys’ expanded concept of art.
• Joseph Beuys remains the most sought-after German artist of the postwar period on the international art market.
PROVENANCE: Werner Krüger Collection, Cologne (acquired directly from the artist).
Géza Istvan Schlégl Collection, Switzerland (acquired from the above).
EXHIBITION: Joseph Beuys. Auch wenn ich meinen Namen schreibe zeichne ich, Galerie & Edition Schlégl, Zurich, September 26, 1989, pp. 48–49 (with full-page color illustration).
Joseph Beuys. Aprovechar a las ánimas = Joseph Beuys. Fer profit a les ànimes, Centre de Cultura Sa Nostra, Palma de Mallorca, Nov. 10–Dec. 12, 1992.
Beuys - Lehmbruck. Denken ist Plastik, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, 2021, cat.no. 174 (illustrated in black and white on plate 14on p. 59).
Called up: June 13, 2026 - ca. 16.40 h +/- 20 min.
Buyer's premium, taxation and resale right compensation for Joseph Beuys "Mit dem Ende der modernen Kunst fängt die Kunst erst an (Fotografie von Werner Krüger)"
This lot can only be purchased subject to regular taxation, artist‘s resale right compensation is due.
Regular taxation:
Hammer price up to 2,000,000 €: herefrom 29 % premium.
The share of the hammer price exceeding 2,000,000 € is subject to a premium of 23% and is added to the premium of the share of the hammer price up to 2,000,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.
Regular taxation:
Hammer price up to 2,000,000 €: herefrom 29 % premium.
The share of the hammer price exceeding 2,000,000 € is subject to a premium of 23% and is added to the premium of the share of the hammer price up to 2,000,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.
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