Badende I. 1911.
Woodcut, colored.
Krüger H 96. Signed and dated "1912". From an edition of 15 copies. On Japon. 40,2 x 32 cm (15,8 x 12,5 in). Sheet: 60,7 x 50,5 cm (23,8 x 19,8 in).
Sheet 1 from the series "Badende". Another copy is in possession of the Graphische Sammlung Albertina, Vienna.
Rare, only two sheets of this motif have been offered on the international art market the last 30 years. (Source: artprice.com, artnet.com).

PROVENANCE: Private collection Northern Germany.

Max Pechstein's artistic talent was discovered and encouraged at a very early age. His conventional career, first as an apprentice with a Zwickau painting master, then at the Dresden Kunstgewerbeschule and finally at the Dresden Akademie under the decorative painter Otto Gußmann, provided Pechstein with a sound craftsmanship. His ceiling painting at the Dresden Arts and Crafts Exhibition in 1906, with such an unconventional color scheme that the organisers had it sprayed with grey paint to soften the colors, attracted Erich Heckel's attention.

He then invited Pechstein to join the artist group ,Die Brücke' which had been founded the year before in opposition to Impressionism. The group's aim was to "attract all revolutionary and restless forces" (Schmidt-Rottluff) and an emphasis of the power of color in painting. In this environment Pechstein's Expressionist style developed further, concentrating on elaborating the focal point of the painting with a sparse painting technique. Pechstein moved to Berlin in 1908 and became a co-founder of the ,Neue Sezession'.

He painted figures, still lifes and landscapes in a moderately Expressionist style. Perhaps it was this, which lead to the artist's early and continuing success. From 1945 Pechstein taught at the Berlin Akademie der Künste. Before that time, during the Third Reich, he was slandered as a "degenerate" artist. Apart from paintings his oeuvre includes more than 850 woodcuts, lithographs and engravings. [EH]