331
William N. Copley
Baby Carriage, 1972.
Acrylic on canvas
Estimate:
€ 70,000 - 90,000
$ 76,300 - 98,100
Baby Carriage. 1972.
Acrylic on canvas.
Signed "CPLY" and dated lower right. 162.5 x 130.5 cm (63.9 x 51.3 in).
[AR].
• William N. Copley's gaudy and surreal world of objects: still lifes from the "Nouns" and "Mail Order" series.
• He stages the baby carriage in bright colors and his typical black outlines like a royal throne.
• Skillfully balanced between Surrealism and Pop Art, between a descriptive still life and excessive ornamentation.
• In the year of its creation, William N. Copley took part in the important documenta 5 in Kassel under the directorship of Harald Szeemann.
This work is registered with the William N. Copley Estate, New York. We would like to thank Mr Anthony Atlas for his kind expert advice.
PROVENANCE: Estate William N. Copley.
David Nolan Gallery, New York.
Galerie Klaus Gerrit Friese, Stuttgart.
Private collection, Southern Germany.
EXHIBITION: CPLY, Galleria d'Arte Il Fauno, Turin, 1973 (illustrated).
William N. Copley, Kunsthalle Bern, October 4 - November 9, 1980; Musée national d'art moderne Centre Georges Pompidou, Paris, November 26, 1980 - January 11, 1981; Stedelijk Van Abbemuseum, Eindhoven, January 24 - February 18, 1981, Badischer Kunstverein, Karlsruhe, March 24 - May 10, 1981, cat. no. 83.
Copley, Museum Frieder Burda, Baden-Baden, February 18 - June 10, 2012; Max Ernst Museum Brühl of the LVR, Brühl, June 24 - November 4, 2012; Foundation Ahlers Pro Arte / Kestner Pro Arte, Hanover, November 16, 2012 - April 1, 2013 (illustrated on p. 137).
LITERATURE: Klaus Gerrit Friese (ed.), William N. Copley. Unter uns, Ostfildern 2009, p. 55 (illustrated in color).
"Bill Copley's work is to die for." Andy Warhol
"Cply cmpltly cptvts me." Roy Lichtenstein
Andy Warhol and Roy Lichtenstein about William N. Copley (also called Bill), quoted from: Götz Adriani, On the Quest for the Ridiculous Picture, in: Frieder Burda Foundation (ed.), Copley, Heidelberg/Berlin 2012, pp. 13-23, here p. 23.
Called up: December 7, 2024 - ca. 16.26 h +/- 20 min.
Acrylic on canvas.
Signed "CPLY" and dated lower right. 162.5 x 130.5 cm (63.9 x 51.3 in).
[AR].
• William N. Copley's gaudy and surreal world of objects: still lifes from the "Nouns" and "Mail Order" series.
• He stages the baby carriage in bright colors and his typical black outlines like a royal throne.
• Skillfully balanced between Surrealism and Pop Art, between a descriptive still life and excessive ornamentation.
• In the year of its creation, William N. Copley took part in the important documenta 5 in Kassel under the directorship of Harald Szeemann.
This work is registered with the William N. Copley Estate, New York. We would like to thank Mr Anthony Atlas for his kind expert advice.
PROVENANCE: Estate William N. Copley.
David Nolan Gallery, New York.
Galerie Klaus Gerrit Friese, Stuttgart.
Private collection, Southern Germany.
EXHIBITION: CPLY, Galleria d'Arte Il Fauno, Turin, 1973 (illustrated).
William N. Copley, Kunsthalle Bern, October 4 - November 9, 1980; Musée national d'art moderne Centre Georges Pompidou, Paris, November 26, 1980 - January 11, 1981; Stedelijk Van Abbemuseum, Eindhoven, January 24 - February 18, 1981, Badischer Kunstverein, Karlsruhe, March 24 - May 10, 1981, cat. no. 83.
Copley, Museum Frieder Burda, Baden-Baden, February 18 - June 10, 2012; Max Ernst Museum Brühl of the LVR, Brühl, June 24 - November 4, 2012; Foundation Ahlers Pro Arte / Kestner Pro Arte, Hanover, November 16, 2012 - April 1, 2013 (illustrated on p. 137).
LITERATURE: Klaus Gerrit Friese (ed.), William N. Copley. Unter uns, Ostfildern 2009, p. 55 (illustrated in color).
"Bill Copley's work is to die for." Andy Warhol
"Cply cmpltly cptvts me." Roy Lichtenstein
Andy Warhol and Roy Lichtenstein about William N. Copley (also called Bill), quoted from: Götz Adriani, On the Quest for the Ridiculous Picture, in: Frieder Burda Foundation (ed.), Copley, Heidelberg/Berlin 2012, pp. 13-23, here p. 23.
Called up: December 7, 2024 - ca. 16.26 h +/- 20 min.
331
William N. Copley
Baby Carriage, 1972.
Acrylic on canvas
Estimate:
€ 70,000 - 90,000
$ 76,300 - 98,100
Buyer's premium, taxation and resale right compensation for William N. Copley "Baby Carriage"
This lot can be purchased subject to differential or regular taxation, artist‘s resale right compensation is due.
Differential taxation:
Hammer price up to 800,000 €: herefrom 32 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 27 % and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 800,000 €: herefrom 27 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 21% and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium. As an exception, the reduced VAT of 7 % is added for printed books.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.
Differential taxation:
Hammer price up to 800,000 €: herefrom 32 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 27 % and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 800,000 €: herefrom 27 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 21% and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium. As an exception, the reduced VAT of 7 % is added for printed books.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.