213
Hans Purrmann
Japanische Kirschblüten in Glasvase, 1932.
Oil on canvas
Estimate:
€ 30,000 - 40,000
$ 34,800 - 46,400
Hans Purrmann
1880 - 1966
Japanische Kirschblüten in Glasvase. 1932.
Oil on canvas.
Signed in the lower right. 60.2 x 51.2 cm (23.7 x 20.1 in).
Contrary to the current catalogue raisonné, Robert Purrmann (1914-1992), the artist's son, once dated the painting to 1925. [CH]
Further works from the Max Niedermayer Collection, Limes-Verlag Wiesbaden, are currently available in our live and online auctions.
• High-contrast colors, a wealth of shapes, the charming interplay of light and shadow, and sophisticated reflections reveal Purrmann's keen sense of composition and color.
• Part of the same private German collection for over 60 years.
• A stay in Paris in 1931 and a meeting with Henri Matisse may have had a lasting influence on the artist during this period.
• Purrmann's still lifes from these years are held by important museum collections, including the Museum im Kulturspeicher der Städtischen Kunstsammlungen, Würzburg, the Sprengel Museum, Hanover, and the Staatsgalerie Stuttgart.
The work is listed under number 634 in the Hans Purrmann Archive.
PROVENANCE: Dr. Max Niedermayer Collection (1905-1968), Wiesbaden (received as a gift from the artist in 1962).
Estate of Max Niedermayer, Wiesbaden.
Private collection, Rhineland-Palatinate (acquired from the above in 1979).
Since then in family ownership.
EXHIBITION: Hans Purrmann zum 100. Geburtstag, Museum Langenargen, April 1980, cat. no. 29.
LITERATURE: Christian Lenz, Felix Billeter, Hans Purrmann. Die Gemälde I. 1895-1934. Catalogue raisonné, Munich 2004, CR no. 1932/06 (with illustration).
"It is characteristic of Purrmann that he painted numerous bouquets of flowers. [..] The blossoming flowers, their variety, their different shapes and colors are a direct expression of life in all its abundance and beauty. By devoting himself to these bouquets in life as well as in art, Hans Purrmann created little celebrations for himself. They characterize his entire oeuvre and, alongside his other genres, form an important part of his work."
Christian Lenz, in: Hans Purrmann. Die Gemälde I. 1895-1934, Munich 2004, pp. 41f.
Called up: December 6, 2025 - ca. 15.30 h +/- 20 min.
1880 - 1966
Japanische Kirschblüten in Glasvase. 1932.
Oil on canvas.
Signed in the lower right. 60.2 x 51.2 cm (23.7 x 20.1 in).
Contrary to the current catalogue raisonné, Robert Purrmann (1914-1992), the artist's son, once dated the painting to 1925. [CH]
Further works from the Max Niedermayer Collection, Limes-Verlag Wiesbaden, are currently available in our live and online auctions.
• High-contrast colors, a wealth of shapes, the charming interplay of light and shadow, and sophisticated reflections reveal Purrmann's keen sense of composition and color.
• Part of the same private German collection for over 60 years.
• A stay in Paris in 1931 and a meeting with Henri Matisse may have had a lasting influence on the artist during this period.
• Purrmann's still lifes from these years are held by important museum collections, including the Museum im Kulturspeicher der Städtischen Kunstsammlungen, Würzburg, the Sprengel Museum, Hanover, and the Staatsgalerie Stuttgart.
The work is listed under number 634 in the Hans Purrmann Archive.
PROVENANCE: Dr. Max Niedermayer Collection (1905-1968), Wiesbaden (received as a gift from the artist in 1962).
Estate of Max Niedermayer, Wiesbaden.
Private collection, Rhineland-Palatinate (acquired from the above in 1979).
Since then in family ownership.
EXHIBITION: Hans Purrmann zum 100. Geburtstag, Museum Langenargen, April 1980, cat. no. 29.
LITERATURE: Christian Lenz, Felix Billeter, Hans Purrmann. Die Gemälde I. 1895-1934. Catalogue raisonné, Munich 2004, CR no. 1932/06 (with illustration).
"It is characteristic of Purrmann that he painted numerous bouquets of flowers. [..] The blossoming flowers, their variety, their different shapes and colors are a direct expression of life in all its abundance and beauty. By devoting himself to these bouquets in life as well as in art, Hans Purrmann created little celebrations for himself. They characterize his entire oeuvre and, alongside his other genres, form an important part of his work."
Christian Lenz, in: Hans Purrmann. Die Gemälde I. 1895-1934, Munich 2004, pp. 41f.
Called up: December 6, 2025 - ca. 15.30 h +/- 20 min.
213
Hans Purrmann
Japanische Kirschblüten in Glasvase, 1932.
Oil on canvas
Estimate:
€ 30,000 - 40,000
$ 34,800 - 46,400
Buyer's premium, taxation and resale right compensation for Hans Purrmann "Japanische Kirschblüten in Glasvase"
This lot can be purchased subject to differential or regular taxation, artist‘s resale right compensation is due.
Differential taxation:
Hammer price up to 1,000,000 €: herefrom 34 % premium.
The share of the hammer price exceeding 1,000,000 € is subject to a premium of 29 % and is added to the premium of the share of the hammer price up to 1,000,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 1,000,000 €: herefrom 29 % premium.
The share of the hammer price exceeding 1,000,000 € is subject to a premium of 23% and is added to the premium of the share of the hammer price up to 1,000,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 7 % is levied to the sum of hammer price and premium.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.
Differential taxation:
Hammer price up to 1,000,000 €: herefrom 34 % premium.
The share of the hammer price exceeding 1,000,000 € is subject to a premium of 29 % and is added to the premium of the share of the hammer price up to 1,000,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 1,000,000 €: herefrom 29 % premium.
The share of the hammer price exceeding 1,000,000 € is subject to a premium of 23% and is added to the premium of the share of the hammer price up to 1,000,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 7 % is levied to the sum of hammer price and premium.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.
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Lot 213

