Sale: 605 / Day Sale, June 13. 2026 in Munich → Lot 126000377
126000377
Nicholas Krushenick
Last One Out, 1969.
Acrylic on canvas
Estimate:
€ 35,000 - 45,000
$ 40,950 - 52,650
Information on buyer's premium, taxation and resale right compensation will be available four weeks before the auction.
126000377
Nicholas Krushenick
Last One Out, 1969.
Acrylic on canvas
Estimate:
€ 35,000 - 45,000
$ 40,950 - 52,650
Information on buyer's premium, taxation and resale right compensation will be available four weeks before the auction.
Nicholas Krushenick
1929 - 1999
Last One Out. 1969.
Acrylic on canvas.
Signed, dated “Apr 1969,” and inscribed with a direction arrow on the reverse of the canvas. 229.5 x 191 cm (90.3 x 75.1 in). [KA].
• Vibrant pop energy: Krushenick’s luminous painting combines hard-edge precision with cartoon-like radiance.
• The artist is considered an important pioneer of 1960s Pop Art.
• Represented with six works at documenta 4 in Kassel one year prior to the creation of this piece.
• Krushenick’s paintings are in renowned museum collections, including the Whitney Museum of American Art and the Metropolitan Museum of Art, New York.
PROVENANCE: Pace Gallery, New York (with a label on stretcher).
Dunkelman Gallery, Toronto (with a label on stretcher).
Private collection, Berlin (since 1978).
LITERATURE: Sotheby Parke Bernet, New York, April 17, 1978.
Bernard Kerber, Bestände Onnasch, Berlin/Bremen, 1992, p. 143 (illustrated in color) and p. 292.
1929 - 1999
Last One Out. 1969.
Acrylic on canvas.
Signed, dated “Apr 1969,” and inscribed with a direction arrow on the reverse of the canvas. 229.5 x 191 cm (90.3 x 75.1 in). [KA].
• Vibrant pop energy: Krushenick’s luminous painting combines hard-edge precision with cartoon-like radiance.
• The artist is considered an important pioneer of 1960s Pop Art.
• Represented with six works at documenta 4 in Kassel one year prior to the creation of this piece.
• Krushenick’s paintings are in renowned museum collections, including the Whitney Museum of American Art and the Metropolitan Museum of Art, New York.
PROVENANCE: Pace Gallery, New York (with a label on stretcher).
Dunkelman Gallery, Toronto (with a label on stretcher).
Private collection, Berlin (since 1978).
LITERATURE: Sotheby Parke Bernet, New York, April 17, 1978.
Bernard Kerber, Bestände Onnasch, Berlin/Bremen, 1992, p. 143 (illustrated in color) and p. 292.
Headquarters
Joseph-Wild-Str. 18
81829 Munich
Phone: +49 89 55 244-0
Fax: +49 89 55 244-177
info@kettererkunst.de
Louisa von Saucken / Undine Schleifer
Holstenwall 5
20355 Hamburg
Phone: +49 40 37 49 61-0
Fax: +49 40 37 49 61-66
infohamburg@kettererkunst.de
Dr. Simone Wiechers / Nane Schlage
Fasanenstr. 70
10719 Berlin
Phone: +49 30 88 67 53-63
Fax: +49 30 88 67 56-43
infoberlin@kettererkunst.de
Cordula Lichtenberg
Gertrudenstraße 24-28
50667 Cologne
Phone: +49 221 510 908-15
infokoeln@kettererkunst.de
Hessen
Rhineland-Palatinate
Miriam Heß
Phone: +49 62 21 58 80-038
Fax: +49 62 21 58 80-595
infoheidelberg@kettererkunst.de
We will inform you in time.