Sale: 611 / Day Sale, Dec. 05. 2026 in Munich → Lot 126000829
Raumbeispiel
126000829
Asger Jorn
Aufdringliche Annäherung, 1969.
Mixed media. Décollage made of color paper
Estimate:
€ 20,000 - 30,000
$ 23,200 - 34,800
Information on buyer's premium, taxation and resale right compensation will be available four weeks before the auction.
126000829
Asger Jorn
Aufdringliche Annäherung, 1969.
Mixed media. Décollage made of color paper
Estimate:
€ 20,000 - 30,000
$ 23,200 - 34,800
Information on buyer's premium, taxation and resale right compensation will be available four weeks before the auction.
Asger Jorn
1914 - 1973
Aufdringliche Annäherung. 1969.
Mixed media. Décollage made of color paper and cardboard.
Signed and dated in the lower right. Ca. 70.5 x 58 cm (27.7 x 22.8 in).
[AR].
• Between fascination and irritation, destruction and reinvention: Asger Jorn’s décollages captivate the eye and continually open up new perspectives.
• He peels the paper away layer by layer, rearranges elements, and creates visual worlds that straddle the line between abstraction and figuration.
• Created in the 1960s, when the artist was intensively engaged with the décollage technique.
• Exhibited in 2014/15 as part of the major retrospective of Jorn’s décollages and collages at the Kunsthalle Emden.
The work is registered in the Jorn Archive, Silkeborg (Museum Jorn).
PROVENANCE: Galerie van de Loo, Munich (with a label on the back of the frame).
Private collection, Southern Germany.
EXHIBITION: Asger Jorn. Décollages, Galerie Michael Haas, Berlin, Dec. 9, 1989–Jan. 28, 1990, cat. no. 12 (with color illustration; with a label on the back of the frame).
Ganz schön gerissen! Asger Jorn’s Collages and Décollages, Kunsthalle Emden, Oct. 25, 2014–Jan. 18, 2015, p. 110 (with color illustration).
1914 - 1973
Aufdringliche Annäherung. 1969.
Mixed media. Décollage made of color paper and cardboard.
Signed and dated in the lower right. Ca. 70.5 x 58 cm (27.7 x 22.8 in).
[AR].
• Between fascination and irritation, destruction and reinvention: Asger Jorn’s décollages captivate the eye and continually open up new perspectives.
• He peels the paper away layer by layer, rearranges elements, and creates visual worlds that straddle the line between abstraction and figuration.
• Created in the 1960s, when the artist was intensively engaged with the décollage technique.
• Exhibited in 2014/15 as part of the major retrospective of Jorn’s décollages and collages at the Kunsthalle Emden.
The work is registered in the Jorn Archive, Silkeborg (Museum Jorn).
PROVENANCE: Galerie van de Loo, Munich (with a label on the back of the frame).
Private collection, Southern Germany.
EXHIBITION: Asger Jorn. Décollages, Galerie Michael Haas, Berlin, Dec. 9, 1989–Jan. 28, 1990, cat. no. 12 (with color illustration; with a label on the back of the frame).
Ganz schön gerissen! Asger Jorn’s Collages and Décollages, Kunsthalle Emden, Oct. 25, 2014–Jan. 18, 2015, p. 110 (with color illustration).
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