628
Rainer Fetting
Miguel Indian, 1992.
Gouache
Estimate:
€ 4,000 / $ 4,560 Sold:
€ 4,250 / $ 4,845 (incl. surcharge)
628
Rainer Fetting
Miguel Indian, 1992.
Gouache
Estimate:
€ 4,000 / $ 4,560 Sold:
€ 4,250 / $ 4,845 (incl. surcharge)
Miguel Indian. 1992.
Gouache and watercolor.
Signed and dated lower right. Lower left titled and inscribed "D 310" on verso. On firm wove paper board. 107,5 x 70,5 cm (42,3 x 27,7 in), the full sheet.
This work's authenticity has kindly been confirmed by the artist.
PROVENANCE: Galerie Raab, Berlin.
Private collection Southern Germany.
Rainer Fetting studied at the 'Hochschule der Künste' in Berlin from 1972 to 1978 and founded the Galerie am Moritzplatz together with Helmut Middendorf, Salomé und Bernd Zimmer while he was still master student. He is regarded one of the main representatives of the "Jungen Wilden". On a DAAD scholarship Fetting went to New York in 1978, where lived on and off until 1994. In the Americam metropolis Fetting created paintings which, among others, show homeless people and black nudes, thus making American urban subcultures theme of his art. Fetting's isolated nudes from those days, just as the strong but yet discouraged Indian - encounter the observer as striking allegories of loneliness and beauty. [JS].
Gouache and watercolor.
Signed and dated lower right. Lower left titled and inscribed "D 310" on verso. On firm wove paper board. 107,5 x 70,5 cm (42,3 x 27,7 in), the full sheet.
This work's authenticity has kindly been confirmed by the artist.
PROVENANCE: Galerie Raab, Berlin.
Private collection Southern Germany.
Rainer Fetting studied at the 'Hochschule der Künste' in Berlin from 1972 to 1978 and founded the Galerie am Moritzplatz together with Helmut Middendorf, Salomé und Bernd Zimmer while he was still master student. He is regarded one of the main representatives of the "Jungen Wilden". On a DAAD scholarship Fetting went to New York in 1978, where lived on and off until 1994. In the Americam metropolis Fetting created paintings which, among others, show homeless people and black nudes, thus making American urban subcultures theme of his art. Fetting's isolated nudes from those days, just as the strong but yet discouraged Indian - encounter the observer as striking allegories of loneliness and beauty. [JS].
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