123
Katharina Grosse
Ohne Titel, 2002.
Acrylic on canvas
Estimate:
€ 100,000 / $ 116,000 Sold:
€ 112,500 / $ 130,499 (incl. surcharge)
123
Katharina Grosse
Ohne Titel, 2002.
Acrylic on canvas
Estimate:
€ 100,000 / $ 116,000 Sold:
€ 112,500 / $ 130,499 (incl. surcharge)
Ohne Titel. 2002.
Acrylic on canvas.
Verso signed. Dated and inscribed with the work number "2002/1047M" on the stretcher by a hand other than that of the artist. 205 x 130 cm (80.7 x 51.1 in).
• Offered on the auction market for the first time ever.
• Characteristic work in the spontaneous spray technique.
• Since 2017 Katharina Grosse has been represented by the renowned Gagosian Gallery.
PROVENANCE: Galerie Mark Müller, Zürich (with the gallery label on the stretcher).
Private collection Switzerland (acquired from aforementioned in 2005).
"Whatever I have in mind before I begin my spray work is entirely different from what I actually do.“
Katharina Grosse in an interview with Jonathan Watkins, 'Wie man mit dem Malen anfängt und aufhört', in: Susanne Böller (editor), Cool. Puppen. Der weisse Saal trifft sich im Wald. Ich wüsste jetzt nichts, ex. cat. Ikon Gallery, Birmingham, et al, Wolfratshausen 2002, p. 27.
Acrylic on canvas.
Verso signed. Dated and inscribed with the work number "2002/1047M" on the stretcher by a hand other than that of the artist. 205 x 130 cm (80.7 x 51.1 in).
• Offered on the auction market for the first time ever.
• Characteristic work in the spontaneous spray technique.
• Since 2017 Katharina Grosse has been represented by the renowned Gagosian Gallery.
PROVENANCE: Galerie Mark Müller, Zürich (with the gallery label on the stretcher).
Private collection Switzerland (acquired from aforementioned in 2005).
"Whatever I have in mind before I begin my spray work is entirely different from what I actually do.“
Katharina Grosse in an interview with Jonathan Watkins, 'Wie man mit dem Malen anfängt und aufhört', in: Susanne Böller (editor), Cool. Puppen. Der weisse Saal trifft sich im Wald. Ich wüsste jetzt nichts, ex. cat. Ikon Gallery, Birmingham, et al, Wolfratshausen 2002, p. 27.
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