Lot 186
Frame image
Frame image
186
Donald Judd
Untitled (Chinati I + II), 1992.
Two Woodcuts
Estimate:
€ 18,000 / $ 20,340 Sold:
€ 30,000 / $ 33,900 (incl. surcharge)
Untitled (Chinati I + II). 1992.
Two Woodcuts.
Jitta/Schellmann 229-230. Each signed and numbered on the reverse. Each from an edition of 25 copies. Each on Tosa Hanga Japon. Each 60 x 80 cm (23.6 x 31.4 in), each the full sheet.
Printed by J. Miller, M. Sanchez, Derrière l'Etoile Studios, New York. Published by Brooke Alexander Editions, New York, for the benefit of the Chinati Foundation, Marfa, Texas. [CH].
• Next to his sculptural creations, Judd's woodcuts are considered a fully independent and fascinating expression of his very own idea of form, symmetry and colors.
• Owing to the color's unusual materiality, to which Judd often adds sand and wax, the work has a special painterly effect and an appealing surface texture.
• To date only one copy of this woodcut was offered on the international auction market (source: artprice).
PROVENANCE: Pace Gallery, New York (with the gallery label on the reverse).
Private collection Germany (acquired in 2000, Sotheby's, New York).
LITERATURE: Mariette Josephus Jitta and Jörg Schellmann, Donald Judd. Prints and Works in Editions, Köln / New York 1993, pp. 104f., cat. no. 229-230 (with illu., p. 105).
Sotheby's, New York, 7533rd auction, Contemporary prints, November 4, 2000, lot 1299.
Art historiand and curator Rudi Fuchs, in: Mariette Josephus Jitta and Jörg Schellmann, Donald Judd. Prints and Works in Editions, Cologne / New York 1993, p. 7.
Two Woodcuts.
Jitta/Schellmann 229-230. Each signed and numbered on the reverse. Each from an edition of 25 copies. Each on Tosa Hanga Japon. Each 60 x 80 cm (23.6 x 31.4 in), each the full sheet.
Printed by J. Miller, M. Sanchez, Derrière l'Etoile Studios, New York. Published by Brooke Alexander Editions, New York, for the benefit of the Chinati Foundation, Marfa, Texas. [CH].
• Next to his sculptural creations, Judd's woodcuts are considered a fully independent and fascinating expression of his very own idea of form, symmetry and colors.
• Owing to the color's unusual materiality, to which Judd often adds sand and wax, the work has a special painterly effect and an appealing surface texture.
• To date only one copy of this woodcut was offered on the international auction market (source: artprice).
PROVENANCE: Pace Gallery, New York (with the gallery label on the reverse).
Private collection Germany (acquired in 2000, Sotheby's, New York).
LITERATURE: Mariette Josephus Jitta and Jörg Schellmann, Donald Judd. Prints and Works in Editions, Köln / New York 1993, pp. 104f., cat. no. 229-230 (with illu., p. 105).
Sotheby's, New York, 7533rd auction, Contemporary prints, November 4, 2000, lot 1299.
Art historiand and curator Rudi Fuchs, in: Mariette Josephus Jitta and Jörg Schellmann, Donald Judd. Prints and Works in Editions, Cologne / New York 1993, p. 7.
186
Donald Judd
Untitled (Chinati I + II), 1992.
Two Woodcuts
Estimate:
€ 18,000 / $ 20,340 Sold:
€ 30,000 / $ 33,900 (incl. surcharge)
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