29
Christo
Wrapped Reichstag (Project for Berlin) (2-teilig), 1979.
Mixed mediaPencil, charcoal, pastel chalk, wax ...
Estimate:
€ 80,000 / $ 92,800 Sold:
€ 141,900 / $ 164,604 (incl. surcharge)
29
Christo
Wrapped Reichstag (Project for Berlin) (2-teilig), 1979.
Mixed mediaPencil, charcoal, pastel chalk, wax ...
Estimate:
€ 80,000 / $ 92,800 Sold:
€ 141,900 / $ 164,604 (incl. surcharge)
Christo
1935 - 2020
Wrapped Reichstag (Project for Berlin) (2-teilig). 1979.
Mixed mediaPencil, charcoal, pastel chalk, wax crayon, fabric, string, and a map.
Signed and dated in the lower right of the upper part. Titled and inscribed “WRAPPED REICHSTAG (PROJECT FOR BERLIN) PLATZ DER REPUBLIK, REICHSTAGPLATZ, SCHEIDEMANNSTR., BRANDENBURGER TOR” in the lower margin. Inscribed with dimensions and construction notes on the lower part. Both parts inscribed with mounting instructions on the reverse. Upper part: 27.9 x 70.9 cm (10.9 x 27.9 in). Lower part: 56 x 70,9 cm (22,04 x 27,55 in).
• “Wrapped Reichstag (Project for Berlin)” ranks among Christo and Jeanne-Claude’s most significant works.
• Early work from the conceptual stage of the world-famous project.
• Collage elements are characteristic of Christo's style.
• The work reflects the political situation in divided Berlin before the project was realized after the reunification.
• Symbolizing an artistic vision that sees concept, design, and execution at eye level.
• Part of a prominent Berlin private collection for over 30 years.
We are grateful to Mr. Matthias Koddenberg, Christo and Jeanne-Claude Foundation, New York, for his kind support.
PROVENANCE: Obelisk Gallery, Boston (each part with a label on the reverse).
Private collection, Berlin (since 1987, Sotheby's London).
LITERATURE: Sotheby's, London, Auction of Post War and Contemporary Art, December 4, 1986, lot 640.
1935 - 2020
Wrapped Reichstag (Project for Berlin) (2-teilig). 1979.
Mixed mediaPencil, charcoal, pastel chalk, wax crayon, fabric, string, and a map.
Signed and dated in the lower right of the upper part. Titled and inscribed “WRAPPED REICHSTAG (PROJECT FOR BERLIN) PLATZ DER REPUBLIK, REICHSTAGPLATZ, SCHEIDEMANNSTR., BRANDENBURGER TOR” in the lower margin. Inscribed with dimensions and construction notes on the lower part. Both parts inscribed with mounting instructions on the reverse. Upper part: 27.9 x 70.9 cm (10.9 x 27.9 in). Lower part: 56 x 70,9 cm (22,04 x 27,55 in).
• “Wrapped Reichstag (Project for Berlin)” ranks among Christo and Jeanne-Claude’s most significant works.
• Early work from the conceptual stage of the world-famous project.
• Collage elements are characteristic of Christo's style.
• The work reflects the political situation in divided Berlin before the project was realized after the reunification.
• Symbolizing an artistic vision that sees concept, design, and execution at eye level.
• Part of a prominent Berlin private collection for over 30 years.
We are grateful to Mr. Matthias Koddenberg, Christo and Jeanne-Claude Foundation, New York, for his kind support.
PROVENANCE: Obelisk Gallery, Boston (each part with a label on the reverse).
Private collection, Berlin (since 1987, Sotheby's London).
LITERATURE: Sotheby's, London, Auction of Post War and Contemporary Art, December 4, 1986, lot 640.
The two-part work “Wrapped Reichstag (Project for Berlin)” from 1979 is part of the long-standing conceptual and artistic exploration of the German Reichstag building in Berlin by Christo and his partner Jeanne-Claude. It is part of a series of preliminary studies, collages, and models the artist conceived in preparation of his large-scale wrapping project, which was finally realized in the summer of 1995.
In this mixed-media work, drawing, collage, and painting merge into a compelling, visionary representation of the wrapped Reichstag, making it not only an outstanding work of art but also a historic document. The work shows the building in monumental presence, completely draped in fabric and tightened with ropes, providing an aesthetic preview of the later realization. Materials such as fabric samples, strings, pastel colors, and a map are collaged and combined with accurate architectural sketches. This visual and material complexity underscores the processual nature of Christo's art. The idea, the design, and the execution are understood as equal levels of artistic creation.
Conceptually, the project falls within the context of politics, history, and public space. At the time of the work's creation, the Reichstag, a symbol of German history, was still an unused parliament building in the middle of the divided city of Berlin—a monument to the unfinished and failed attempts at democracy. Christos' vision of encasing this historic building is not only a formal gesture, but a radical artistic intervention into the collective memory. The wrapping is intended to draw attention to the building itself, stripping it of its function and at the same time recharging it as a temporary work of art and a place of reflection – artistically, socially and politically.
Created in 1979, the work not only displays Christo's characteristic signature style, but also documents a decisive moment in the development of the project, which was highly controversial for over a decade, receiving approval only after the fall of the Berlin Wall. In retrospect, “Wrapped Reichstag (Project for Berlin)” occupies an important position as an artistic testimony to the long process of its creation, as part of an art form that focuses not on the object itself, but on the transformation of perception and space. In the anniversary year 2025, Christo and Jeanne-Claude's legendary “Wrapped Reichstag” project will be brought back to life as a tribute through an impressive light installation, serving as a striking reminder of the power of visionary art in public spaces.
In this mixed-media work, drawing, collage, and painting merge into a compelling, visionary representation of the wrapped Reichstag, making it not only an outstanding work of art but also a historic document. The work shows the building in monumental presence, completely draped in fabric and tightened with ropes, providing an aesthetic preview of the later realization. Materials such as fabric samples, strings, pastel colors, and a map are collaged and combined with accurate architectural sketches. This visual and material complexity underscores the processual nature of Christo's art. The idea, the design, and the execution are understood as equal levels of artistic creation.
Conceptually, the project falls within the context of politics, history, and public space. At the time of the work's creation, the Reichstag, a symbol of German history, was still an unused parliament building in the middle of the divided city of Berlin—a monument to the unfinished and failed attempts at democracy. Christos' vision of encasing this historic building is not only a formal gesture, but a radical artistic intervention into the collective memory. The wrapping is intended to draw attention to the building itself, stripping it of its function and at the same time recharging it as a temporary work of art and a place of reflection – artistically, socially and politically.
Created in 1979, the work not only displays Christo's characteristic signature style, but also documents a decisive moment in the development of the project, which was highly controversial for over a decade, receiving approval only after the fall of the Berlin Wall. In retrospect, “Wrapped Reichstag (Project for Berlin)” occupies an important position as an artistic testimony to the long process of its creation, as part of an art form that focuses not on the object itself, but on the transformation of perception and space. In the anniversary year 2025, Christo and Jeanne-Claude's legendary “Wrapped Reichstag” project will be brought back to life as a tribute through an impressive light installation, serving as a striking reminder of the power of visionary art in public spaces.
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