Raumbeispiel
288
Kurt Schwitters
Mzz 61/Ohne Titel (Zeichnung W). (Merzzeichnung), 1920.
Collage, paper on paper
Estimate:
€ 30,000 / $ 34,800 Sold:
€ 32,250 / $ 37,410 (incl. surcharge)
288
Kurt Schwitters
Mzz 61/Ohne Titel (Zeichnung W). (Merzzeichnung), 1920.
Collage, paper on paper
Estimate:
€ 30,000 / $ 34,800 Sold:
€ 32,250 / $ 37,410 (incl. surcharge)
Kurt Schwitters
1887 - 1948
Mzz 61/Ohne Titel (Zeichnung W). (Merzzeichnung). 1920.
Collage, paper on paper.
Monogrammed, dated, and titled in the lower left of the original mount. Once more titled inscribed “für Fräulein Elisabeth Köster in Barmen von Kurt Schwitters” on the reverse. 10.8 x 8.3 cm (4.2 x 3.2 in). Collage in mount section. Original mount: 20,8 x 15,68,1 x 6,1
[AW].
• Early “Merz drawing” – from a period when the prominent Dadaist found his own innovative visual language.
• Kurt Schwitters radicalized abstract painting by eliminating all traces of personal style from his collages.
• From the collection of the Expressionist glass painter Elisabeth Coester (1900–1941) and in her family’s possession for over 80 years.
• Other famous “Merz drawings” are at, among others, the Tate Modern in London and the Museum of Modern Art in New York.
PROVENANCE: Collection of Elisabeth Coester, Barmen (1920–1941; in an exchange).
Otto Coester Collection, Düsseldorf and Wilhelmsdorf (1941–1990, inherited from the above)
Christine Fausel Collection (since 1991, inherited from the above)
Private collection, Southern Germany (gifted by the above in 2013).
LITERATURE: Karin Orchard, Isabel Schulz, Kurt Schwitters. Catalogue raisonné, ed. by the Sprengel Museum Hannover, Vol. 1: 1905–1922, Ostfildern 2000, CR no. 640 (illustrated in black and white).
1887 - 1948
Mzz 61/Ohne Titel (Zeichnung W). (Merzzeichnung). 1920.
Collage, paper on paper.
Monogrammed, dated, and titled in the lower left of the original mount. Once more titled inscribed “für Fräulein Elisabeth Köster in Barmen von Kurt Schwitters” on the reverse. 10.8 x 8.3 cm (4.2 x 3.2 in). Collage in mount section. Original mount: 20,8 x 15,68,1 x 6,1
[AW].
• Early “Merz drawing” – from a period when the prominent Dadaist found his own innovative visual language.
• Kurt Schwitters radicalized abstract painting by eliminating all traces of personal style from his collages.
• From the collection of the Expressionist glass painter Elisabeth Coester (1900–1941) and in her family’s possession for over 80 years.
• Other famous “Merz drawings” are at, among others, the Tate Modern in London and the Museum of Modern Art in New York.
PROVENANCE: Collection of Elisabeth Coester, Barmen (1920–1941; in an exchange).
Otto Coester Collection, Düsseldorf and Wilhelmsdorf (1941–1990, inherited from the above)
Christine Fausel Collection (since 1991, inherited from the above)
Private collection, Southern Germany (gifted by the above in 2013).
LITERATURE: Karin Orchard, Isabel Schulz, Kurt Schwitters. Catalogue raisonné, ed. by the Sprengel Museum Hannover, Vol. 1: 1905–1922, Ostfildern 2000, CR no. 640 (illustrated in black and white).
Headquarters
Joseph-Wild-Str. 18
81829 Munich
Phone: +49 89 55 244-0
Fax: +49 89 55 244-177
info@kettererkunst.de
Louisa von Saucken / Undine Schleifer
Holstenwall 5
20355 Hamburg
Phone: +49 40 37 49 61-0
Fax: +49 40 37 49 61-66
infohamburg@kettererkunst.de
Dr. Simone Wiechers / Nane Schlage
Fasanenstr. 70
10719 Berlin
Phone: +49 30 88 67 53-63
Fax: +49 30 88 67 56-43
infoberlin@kettererkunst.de
Cordula Lichtenberg
Gertrudenstraße 24-28
50667 Cologne
Phone: +49 221 510 908-15
infokoeln@kettererkunst.de
Hessen
Rhineland-Palatinate
Miriam Heß
Phone: +49 62 21 58 80-038
Fax: +49 62 21 58 80-595
infoheidelberg@kettererkunst.de
We will inform you in time.