Raumbeispiel
125
Andy Warhol
Joseph Beuys, 1980/1983.
Silkscreen in colors with rayon satin finish
Estimate:
€ 15,000 / $ 17,250 Sold:
€ 18,060 / $ 20,769 (incl. surcharge)
125
Andy Warhol
Joseph Beuys, 1980/1983.
Silkscreen in colors with rayon satin finish
Estimate:
€ 15,000 / $ 17,250 Sold:
€ 18,060 / $ 20,769 (incl. surcharge)
Andy Warhol
1928 - 1987
Joseph Beuys. 1980/1983.
Silkscreen in colors with rayon satin finish.
Signed and numbered. Verso with the copyright stamp. One of 45 Trial Proofs. On Lenox Museum cardboard. 101.6 x 81.3 cm (40 x 32 in), nearly the full sheet.
Printed by Rupert Jasen Smith, New York (with the blind stamp). Published by Edition Schellmann & Klüser, Munich/New York (with the copyright stamp on the reverse). [AW].
• Two masters: Warhol immortalizes Beuys in a work that also bears witness to his own artistic understanding.
• The idea for the portrait series originated in 1979 during Beuys’ highly acclaimed retrospective at the Guggenheim Museum, New York.
• Beuys’s preferred material, felt, is reflected in the haptic quality of the color silkscreen.
• Unique due to its custom coloring.
• Warhol’s Beuys portraits are represented in renowned museum collections, including the Museum of Modern Art, New York, the Tate London, and the Philadelphia Art Museum.
PROVENANCE: Private Collection Southern Germany.
LITERATURE: Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, CR no. IIB. 242-244 (illustrated in color on p. 182, this copy).
1928 - 1987
Joseph Beuys. 1980/1983.
Silkscreen in colors with rayon satin finish.
Signed and numbered. Verso with the copyright stamp. One of 45 Trial Proofs. On Lenox Museum cardboard. 101.6 x 81.3 cm (40 x 32 in), nearly the full sheet.
Printed by Rupert Jasen Smith, New York (with the blind stamp). Published by Edition Schellmann & Klüser, Munich/New York (with the copyright stamp on the reverse). [AW].
• Two masters: Warhol immortalizes Beuys in a work that also bears witness to his own artistic understanding.
• The idea for the portrait series originated in 1979 during Beuys’ highly acclaimed retrospective at the Guggenheim Museum, New York.
• Beuys’s preferred material, felt, is reflected in the haptic quality of the color silkscreen.
• Unique due to its custom coloring.
• Warhol’s Beuys portraits are represented in renowned museum collections, including the Museum of Modern Art, New York, the Tate London, and the Philadelphia Art Museum.
PROVENANCE: Private Collection Southern Germany.
LITERATURE: Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, CR no. IIB. 242-244 (illustrated in color on p. 182, this copy).
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