127
Emil Nolde
Meer mit Dampfer und orangefarbenem Himmel, Um 1938/1945.
Watercolor and gouache
Estimate:
€ 30,000 - 40,000
$ 33,600 - 44,800
127
Emil Nolde
Meer mit Dampfer und orangefarbenem Himmel, Um 1938/1945.
Watercolor and gouache
Estimate:
€ 30,000 - 40,000
$ 33,600 - 44,800
Emil Nolde
1867 - 1956
Meer mit Dampfer und orangefarbenem Himmel. Um 1938/1945.
Watercolor and gouache.
Signed in the upper right [overpainted]. On hand-made Japan. 17 x 22.7 cm (6.6 x 8.9 in), the full sheet. [CH].
• Nolde captures the experience of nature—the moment when the last rays of sunlight illuminate the evening sky—and transfers it directly into his painting with vivid emotion.
• Using his characteristic wet-on-wet technique, the artist creates an expressive landscape that straddles the line between Naturalism and Abstraction.
• In his seascapes, Nolde gets closest to abstraction.
• The North Sea in a blaze of color: With his atmospheric landscape paintings, he is still regarded as the greatest watercolorist of the 20th century.
Accompanied by a written confirmation by Dr. Manfred Reuther, then director of the Seebüll Ada and Emil Nolde Foundation, dated March 29, 2004 (copy). The work is registered in the archive of the Seebüll Ada and Emil Nolde Foundation under the number Fr.A.2104 and will be included in the forthcoming catalogue raisonné of Emil Nolde’s watercolors and drawings.
PROVENANCE: Private collection, North Rhine-Westphalia.
Galerie Utermann, Dortmund.
Private collection, Southern Germany (acquired from the above in 2011).
Called up: December 5, 2026 - ca. 13.36 h +/- 20 min.
1867 - 1956
Meer mit Dampfer und orangefarbenem Himmel. Um 1938/1945.
Watercolor and gouache.
Signed in the upper right [overpainted]. On hand-made Japan. 17 x 22.7 cm (6.6 x 8.9 in), the full sheet. [CH].
• Nolde captures the experience of nature—the moment when the last rays of sunlight illuminate the evening sky—and transfers it directly into his painting with vivid emotion.
• Using his characteristic wet-on-wet technique, the artist creates an expressive landscape that straddles the line between Naturalism and Abstraction.
• In his seascapes, Nolde gets closest to abstraction.
• The North Sea in a blaze of color: With his atmospheric landscape paintings, he is still regarded as the greatest watercolorist of the 20th century.
Accompanied by a written confirmation by Dr. Manfred Reuther, then director of the Seebüll Ada and Emil Nolde Foundation, dated March 29, 2004 (copy). The work is registered in the archive of the Seebüll Ada and Emil Nolde Foundation under the number Fr.A.2104 and will be included in the forthcoming catalogue raisonné of Emil Nolde’s watercolors and drawings.
PROVENANCE: Private collection, North Rhine-Westphalia.
Galerie Utermann, Dortmund.
Private collection, Southern Germany (acquired from the above in 2011).
Called up: December 5, 2026 - ca. 13.36 h +/- 20 min.
For Emil Nolde, the sea is not merely a part of the landscape, but a fundamental experience: a place where the forces of nature and the artist’s sensibilities converge. Probably no other Modernist painter engaged as intensely with the sea and its phenomena as Nolde. In his small-format watercolors, he achieved a unique expressiveness. To this end, Nolde developed his own wet-on-wet technique, in which hues flow into one another on damp paper, allowing an interpretation of color that can be rendered with such purity and transparency only in watercolor.
In “Meer mit Dampfer und orangefarbenem Himmel” (Sea with Steamship and Orange Sky), Nolde condenses the vastness of the seascape into a powerful interplay of colors. Deep blue and glowing orange are interrelated yet contrasting; the composition derives its dynamic energy from the tense interplay. Above the water—which borders the lower edge of the picture like a dark ribbon—stretches a high sky, its orange clouds sweeping across the horizon in broad swaths. The steamship remains small and almost insignificant in this vast expanse; it provides a tenuous connection to the visible world, while color and atmosphere carry the pictorial action. In this way, Nolde combines the immediacy of the actual nature with a deliberate abstraction of the landscape. This reveals a profoundly Romantic view of nature: nature appears not as a neutral counterpart, but as a reality experienced through the soul, in which the artist’s feelings are reflected.
In 1867, Emil Hansen was born the sixth child of a North German farming family in the village of Nolde, near the Danish border. His lifelong connection to the landscape of the North Schleswig border region is reflected not least in his later adoption of the name of his birthplace. He lived first in Utenwarf with his wife Ada, and later in Seebüll; the marshes, gardens, and especially the sea became recurring motifs in his work there. As a primal force of nature, the sea made a deep impression on him: he translated its ever-changing appearances and the intensity of the moment into vibrant colors, capturing the moment for eternity. [EB]
In “Meer mit Dampfer und orangefarbenem Himmel” (Sea with Steamship and Orange Sky), Nolde condenses the vastness of the seascape into a powerful interplay of colors. Deep blue and glowing orange are interrelated yet contrasting; the composition derives its dynamic energy from the tense interplay. Above the water—which borders the lower edge of the picture like a dark ribbon—stretches a high sky, its orange clouds sweeping across the horizon in broad swaths. The steamship remains small and almost insignificant in this vast expanse; it provides a tenuous connection to the visible world, while color and atmosphere carry the pictorial action. In this way, Nolde combines the immediacy of the actual nature with a deliberate abstraction of the landscape. This reveals a profoundly Romantic view of nature: nature appears not as a neutral counterpart, but as a reality experienced through the soul, in which the artist’s feelings are reflected.
In 1867, Emil Hansen was born the sixth child of a North German farming family in the village of Nolde, near the Danish border. His lifelong connection to the landscape of the North Schleswig border region is reflected not least in his later adoption of the name of his birthplace. He lived first in Utenwarf with his wife Ada, and later in Seebüll; the marshes, gardens, and especially the sea became recurring motifs in his work there. As a primal force of nature, the sea made a deep impression on him: he translated its ever-changing appearances and the intensity of the moment into vibrant colors, capturing the moment for eternity. [EB]
Buyer's premium, taxation and resale right compensation for Emil Nolde "Meer mit Dampfer und orangefarbenem Himmel"
This lot can be purchased subject to differential or regular taxation, artist‘s resale right compensation is due.
Differential taxation:
Hammer price up to 2,000,000 €: herefrom 34 % premium.
The share of the hammer price exceeding 2,000,000 € is subject to a premium of 29 % and is added to the premium of the share of the hammer price up to 2,000,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 2,000,000 €: herefrom 29 % premium.
The share of the hammer price exceeding 2,000,000 € is subject to a premium of 23% and is added to the premium of the share of the hammer price up to 2,000,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 7 % is levied to the sum of hammer price and premium.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.
Differential taxation:
Hammer price up to 2,000,000 €: herefrom 34 % premium.
The share of the hammer price exceeding 2,000,000 € is subject to a premium of 29 % and is added to the premium of the share of the hammer price up to 2,000,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 2,000,000 €: herefrom 29 % premium.
The share of the hammer price exceeding 2,000,000 € is subject to a premium of 23% and is added to the premium of the share of the hammer price up to 2,000,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 7 % is levied to the sum of hammer price and premium.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.
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