Sale: 400 / Modern Art, Dec. 08. 2012 in Munich Lot 67

 
67
Paul Kleinschmidt
Spätnachmittag (Haus im Olivenhain), 1939.
Oil on canvas
Estimate:
€ 30,000 / $ 33,000
Sold:
€ 46,360 / $ 50.996

(incl. 22% surcharge)
Lot description
Spätnachmittag (Haus im Olivenhain). 1939.
Oil on canvas.
Lipps-Kant 346. Monogrammed and dated lower right, scratched into wet paint. 65 x 80,5 cm (25,5 x 31,6 in).

PROVENANCE: Erich Cohn, New York.
Richard A. Cohn, New York.
Private collection North-Rhine Westphalia.

EXHIBITION: Paul Kleinschmidt, Van Diemen-Lilienfeld Galleries, New York, 1959, cat. no. 22.
Paul Kleinschmidt zum 100. Geburtstag. Gemälde, Aquarelle, Zeichnungen und Druckgraphik, Galerie der Stadt Stuttgart/Ostdeutsche Galerie Regensburg, March - August, 1983, cat. no. 84, no illu. (with label on stretcher).

Paul Kleinschmidt was born on 31 July 1883 scion of an artist family, the father was director of a travelling theatre, the mother an actress. During his studies of art at the Berlin Akademie under the history painter Anton von Werner Adolf von Menzel was Paul Kleinschmidt's great model. This was also when he met Lovis Corinth. He was impressed by him as a person but also benefited from the artists knowledge of art. In 1904 Kleinschmidt continued his studies at the Akademie in Munich under Peter Halm and Heinrich von Zügel. Here he studied the techniques of lithography and engraving. After finishing his studies Kleinschmidt worked in Berlin as a painter and graphic artist and exhibited at the 'Sezession' shows in 1908 and 1911. He was called up for military service in 1914, but was released one year later after being poisoned by gas. In 1915 he began earning a living with odd jobs as a technical draughtsman and a drawing teacher. Many of his most important etchings and lithographs were produced during this period. They were exhibited in 1923 in his first one-man exhibition organized by the publishing company Euphorion and in 1925 at F. Gurlitt in Berlin. After that he produced less graphic art in order to concentrate on painting. In 1927 Kleinschmidt first met the New York art collector Erich Cohn who later became his sponsor. The artist moved from Berlin to Southern Germany in 1932 where he first lived in Klingenstein near Blaubeuren and then in Ulm. He left this city again one year later, however, to move to Ay near Senden. Here he and his family soon suffered under the political repression. The political pressure became so strong that Kleinschmidt eventually emigrated to Holland in 1936. From there he went to France in 1938.

Paul Kleinschmidt spent the summer right before the great disaster of World War II in Southern France, where he made landscapes that were of special importance to him. In fall 1939 he wrote to his friend and patron Erich Cohn in New York: "Three of these landscapes have a very special ‘'atmospheric value', but – thank God – they are 'atmsopheric paintings', which, as we all know, mostly do not have anything to do with painting. It is landscape no. 8 ‘Spätnachmittag’ (late afternoon), no. 11 ‘Gewittersturm’ (thunderstorm) and no. 9 ‘früher Morgen’ (early morning). I think they will be appreciated, and especially no. 8 (our picture) I can strongly recommend, it is one of my best landscapes" (hand-written letter from Paul Kleinschmidt to Erich Cohn, New York, La Varenne, 26 October, 1939, transl. of quote after: Lipps-Kant, catalog raisonné of paintings, pp. 538/539).
Kleinschmidt’s typical painting duct becomes particularly obvious in this landscape. Kleinschmidt preferred a pastose style. The almost serially arranged groups of trees add a special character to this Southern French landscape. Paul Kleinschmidt’s landscapes are very close to his pictures with figures, both in terms painting technique as well as for the perspective’s compact depth. They reveal gestural painting in an optic that Kleinschmidt had cultivated in all his oeuvre of paintings.

In February 1940 he was imprisoned in different camps for several months but released again after the French capitulation. While he was living in Bensheim the Nazis forced Kleinschmidt to stop painting in 1943. His entire possessions were destroyed in an air raid in 1945. His Angina Pectoris which had been diagnosed in 1940 became so severe in 1948 that the artist never recovered and died one year later on 2 August. [KD].

67
Paul Kleinschmidt
Spätnachmittag (Haus im Olivenhain), 1939.
Oil on canvas
Estimate:
€ 30,000 / $ 33,000
Sold:
€ 46,360 / $ 50.996

(incl. 22% surcharge)