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Sale: 484 / Art of the 19th Century, May 24. 2019 in Munich Lot 79

 
Lot description
Wintersonne im Engadin. 1914.
Oil on canvas.
Cf. Paffrath 1914_4 and 1914_21 . Lower left signed, dated and inscribed "Ponte Campowasto". 122.5 x 201 cm (48.2 x 79.1 in).

- Rediscovery after almost 100 years.
- Characteristic high quality winter landscape by the Danish artist.
.
We are grateful to Mr. Hans Paffrath, Galerie Paffrath GmbH & Co. KG, Düsseldorf, for his kind support in cataloging this lot.

PROVENANCE: Private collection Berlin.
Private collection Northern Germany.

"Many of Mönsted's landscape pictures are so close to reality, while entirely doing without any severity, as if they could replace nature.”
(Quote after: Iris Metje: Die Illusion von Wirklichkeit. Der Landschaftsmaler Peder Mø nsted (1859-1941), pp. 10-22, here p. 22, in: Peder Mø nsted. Zauber der Natur, catalog raisonné published by Galerie Paffrath, Düsseldorf 2013)

Called up: May 24, 2019 - ca. 17.07 h +/- 20 min.

Essay
In addition to numerous summer landscapes, Mönsted's oeuvre also comprises large-sizesnow scapes with almost photo-realistic effects in which the reflecting surface of the water is the main eye-catching feature. With the deceptively reproduced reflections, Mönsted proves his true artistic ability. The painting offered here shows a snowy landscape in the Engadin, a high valley in the Swiss canton of Graubünden, which gained in popularity in context of the emergence of alpine tourism and associated bathing cures since the 1850s. The deep softness of the snow, the crystal clear waters of the river, and the high mountain peaks encompassing the valley add a high degree of immediacy to the view, an effect that is increased by a light atmosphere capturing the very moment. The first snowscapes in Mönsted’s oeuvre were created before the turn of the century and in the following decade, it reached its peak of importance after the First World War. In addition to the Engadine, Mönsted found further inspiration for these pictures around the Norwegian town of Lillehammer as well as in his home country Denmark. When Mönsted was particularly satisfied with a composition, he would make several versions of it. Every picture captivates with its unique blend of a notion of supernatural ideality and the momentary impression of nature. It is not the dramatically enraged nature or an unreal Arcadia that Mönsted shows us in his pictures, it rather is a well-chosen landscape characterized by an atmospheric naturalness. The image of nature serves the observer as a refuge of recreation and invites him to spiritual hike - an aspect that is subtly hinted at in our work by the freshly plowed path leading right into the picture.
79
Peder (Peder Mørk Mønsted) Mönsted
Wintersonne im Engadin, 1914.
Oil on canvas
Estimate:
€ 40,000 - 60,000

 
$ 45,200 - 67,800

+
 


More Images
Peder (Peder Mørk Mønsted) Mönsted - Wintersonne im Engadin - Frame image
Frame image
 
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Buyer's premium, taxation and resale right apportionment for Peder (Peder Mørk Mønsted) Mönsted "Wintersonne im Engadin"
This lot can be purchased subject to differential or regular taxation.

Differential taxation:
Hammer prices up to € 500,000: 32 % buyer's premium
Hammer prices above € 500,000: for the share up to € 500,000: 32%, for the share above € 500,000: 27% buyer's premium
The buyer's premium contains VAT, however, it is not shown.

Regular taxation:
Hammer prices up to € 500,000: 25 % buyer's premium plus statutory sales tax Hammer prices above € 500,000: for the share up to € 500,000: 25%, for the share above € 500.000: 20% buyer's premium, each plus statutory sales tax

We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.

Resale right apportionment:
Objects made by artists who have not died at least 70 years ago are subject to a resale right apportionment of 1.5% plus statutory sales tax.
Peder (Peder Mørk Mønsted) Mönsted - lots sold by Ketterer Kunst