Lot 27 
Dame. 1922.
Drypoint.
Signed, dated and numbered. From an edition of 50 copies. On wove paper. 34.8 x 27.9 cm (13.7 x 10.9 in). Sheet: 52,7 x 37 cm (20,47 x 14,56 in).
Part of a portfolio published by Heinar Schilling, Dresden. [MH].
• Otto Dix is considered an important representative of Expressionism and New Objectivity.
• From the Weimar Republic: Otto Dix documents this period of upheaval with unparalleled clarity.
• Typical Dix – socially critical and outspoken.
PROVENANCE: Private collection (since the 1960s.
Private collection North Rhine-Westphalia (since 2024, from the above).
LITERATURE: Florian Karsch (ed.), Otto Dix. Das graphische Werk, Hanover 1970, no. 19/II (illustrated on p. 42, different copy).
Good overall impression. Overall unevenly browned, with mount staining. Isolated faint fox marks. A vertical paper break along the right platemark, backed verso. A faint crease in the lower left corner.
Drypoint.
Signed, dated and numbered. From an edition of 50 copies. On wove paper. 34.8 x 27.9 cm (13.7 x 10.9 in). Sheet: 52,7 x 37 cm (20,47 x 14,56 in).
Part of a portfolio published by Heinar Schilling, Dresden. [MH].
• Otto Dix is considered an important representative of Expressionism and New Objectivity.
• From the Weimar Republic: Otto Dix documents this period of upheaval with unparalleled clarity.
• Typical Dix – socially critical and outspoken.
PROVENANCE: Private collection (since the 1960s.
Private collection North Rhine-Westphalia (since 2024, from the above).
LITERATURE: Florian Karsch (ed.), Otto Dix. Das graphische Werk, Hanover 1970, no. 19/II (illustrated on p. 42, different copy).
Good overall impression. Overall unevenly browned, with mount staining. Isolated faint fox marks. A vertical paper break along the right platemark, backed verso. A faint crease in the lower left corner.
27
Otto Dix
Dame, 1922.
Drypoint
Starting bid: € 7,000 / $ 8,260
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