Gerhard Richter
1932
Guildenstern. 1998.
Chibachrome-Photography, mounted between Plexiglas and an aluminum plate.
Signed and dated on the reverse. From an edition of 35 copies. 102 x 115.5 cm (40.1 x 45.4 in).
Published by Antony d'Offay Gallery, London, and Marian Goodman Gallery, New York. [AH].
• A bridge between painting and photography: a high-contrast color epic and an abstract, emotional fusion of colors in typical Richter style.
• Other copies of this edition are in the collections of the Museum of Fine Arts, Houston, the Dallas Museum of Art, and the Statens Museum for Kunst, Copenhagen.
• Drama and Poetics: The title attests to Richter’s engagement with Shakespeare’s play Hamlet.
• Formerly owned by Norbert Arns, who was Gerhard Richter’s long-time assistant.
PROVENANCE: Norbert Arns, Collection.
Olbricht Collection, Essen/Berlin.
LITERATURE: Hubertus Butin, Gerhard Richter. Editionen 1965-2013, Cologne 2014, CR no. 95 (illustrated, presumably of a different copy).
In very good condition.
1932
Guildenstern. 1998.
Chibachrome-Photography, mounted between Plexiglas and an aluminum plate.
Signed and dated on the reverse. From an edition of 35 copies. 102 x 115.5 cm (40.1 x 45.4 in).
Published by Antony d'Offay Gallery, London, and Marian Goodman Gallery, New York. [AH].
• A bridge between painting and photography: a high-contrast color epic and an abstract, emotional fusion of colors in typical Richter style.
• Other copies of this edition are in the collections of the Museum of Fine Arts, Houston, the Dallas Museum of Art, and the Statens Museum for Kunst, Copenhagen.
• Drama and Poetics: The title attests to Richter’s engagement with Shakespeare’s play Hamlet.
• Formerly owned by Norbert Arns, who was Gerhard Richter’s long-time assistant.
PROVENANCE: Norbert Arns, Collection.
Olbricht Collection, Essen/Berlin.
LITERATURE: Hubertus Butin, Gerhard Richter. Editionen 1965-2013, Cologne 2014, CR no. 95 (illustrated, presumably of a different copy).
In very good condition.
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