Sale: 550 / Evening Sale, June 07. 2024 in Munich Lot 27


27
Erich Heckel
Klare Luft, 1921.
Oil on canvas
Estimate:
€ 100,000 - 150,000

 
$ 107,000 - 160,500

+
Klare Luft. 1921.
Oil on canvas.
Lower right signed and dated. Once more signed and dated on the reverse. Titled and inscribed "Voigt 1921/10" on the reverse of the stretcher. 83 x 96 cm (32.6 x 37.7 in). [EH].

More works from the Dr. Maier-Mohr Collection are offered in our Contemporary Art Day Sale on Friday, June 7, 2024 and in our Modern Art Day Sale on Saturday, June 8, 2024 – see collection catalog "A Private Collection - Dr. Theo Maier-Mohr".

• The bathers as silent observers of the infinite and majestic sublimity of nature.
• Heckel's reinterpretation of his landscape painting.
• Mystifying reflection of light, clouds, and water on the Baltic Sea.
• From 1919, the artist and his wife spent their summers at their inspiring retreat in Osterholz on the Flensburg Firth
.

PROVENANCE: Galerie Nierendorf, Berlin.
Galerie Thomas, Munich (1983).
Dr. Theo Maier-Mohr Collection (acquired from the above).
Ever since family-owned.

EXHIBITION: Erich Heckel, Gemälde, Aquarelle u. s. w. im Krönungsgang des Schlosses, Städtisches Museum, February 12 - March 18, 1928, cat. no. 13.
Erich Heckel, Kestner-Gesellschaft, Hanover, October 3 - November 3, 1935, no. 4 (dated 1922).
Erich Heckel. Zum 100. Geburtstag, Galerie Thomas, Munich, September 9 - October 31, 1983, cat. no. 61.

LITERATURE: Andreas Hüneke, Erich Heckel. Werkverzeichnis der Gemälde, Wandbilder und Skulpturen, vol. II (1919-1964), Munich 2017, no. 121-20 (illu.).
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Paul Vogt, Erich Heckel, Recklinghausen 1965, plate 173.
Christie's, London, June 28, 1982, lot 33.
Janina Dahlmanns, "Hoch immer der Himmel über der weit in die Tiefe fliehenden Fläche des Meeres". Die Ostsee und die Stilentwicklung Erich Heckels, in: M. Moeller, Erich Heckel an der Ostsee, Munich 2006, p. 31 (illu.)
Janina Dahlmanns, Erich Heckels Werk der Zwischenkriegsjahre 1919-1937, Hamburg 2016, p. 135.

"It is revealing that Heckel was drawn to the Baltic Sea. You have to see this vast body of water with your own eyes to understand that it is can reflect light like a gigantic mirror, with an intensity that is not limited to the coastal strip, but also touches nearby stretches of land in a way that you can tell the distance to the sea from the high and clear air - it is no coincidence that Heckel would name one of his paintings after this phenomenon."
Paul Vogt, Erich Heckel, Recklinghausen 1965, p. 63.

Called up: June 7, 2024 - ca. 17.52 h +/- 20 min.

It was during these days that Erich Heckel approached an expressive realism that would define his later paintings. The two seated women on the beach, a well-known motif in the work of Heckel and the Expressionists, recede into the background before the overwhelming landscape. The women form a contemplative unity with the landscape, the fascination that it exerts was so aptly described in Paul Vogt's 1965 monograph on Erich Heckel about our painting: “It is significant that it was the Baltic Sea to which Heckel felt drawn. You have to have experienced this vast expanse of water for yourself to understand that it is capable of reflecting the light like a gigantic mirror, with an intensity that is not limited to the coastal strip alone, but also encompasses the nearest areas of land, in such a way that you can already recognize the proximity of the sea from the high and clear air - it is no coincidence that Heckel gave one of his paintings this name.”
It is the changing phenomena of light that Erich Heckel explores intensively. The sun's rays that break through the dense clouds can be traced in the damp haze above the sea right up to the surface of the water. This phenomenon is reflected by the glassy water. It is precisely this sublime moment that Erich Heckel places at the heart of his depiction.




Buyer's premium, taxation and resale right compensation for Erich Heckel "Klare Luft"
This lot can be purchased subject to differential or regular taxation, artist‘s resale right compensation is due.

Differential taxation:
Hammer price up to 800,000 €: herefrom 32 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 27 % and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.

Regular taxation:
Hammer price up to 800,000 €: herefrom 27 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 21% and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium. As an exception, the reduced VAT of 7 % is added for printed books.

We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.

Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.

The artist‘s resale right compensation is VAT-exempt.