The international auction house for buying and selling of works by Jasper Morrison
*  1959 London

Would you like to sell a work by Jasper Morrison?

Non-binding offer

Register now and receive offers



Ketterer Kunst
Sell successfully
  • Ketterer Kunst is leading in modern and contemporary art and the only auction house in the German speaking world listed among the worldwide 10 (top 7 according to artprice 2022).
  • specializing in internationally sought after artists.
  • Bespoke marketing concepts and targeted customer approach – worldwide.
  • Personalized and individual service.
  • Worldwide visibility for a successful sale of works by Jasper Morrison.
  • Printed catalogs : we are the only auction house printing the evening sale catalogs in English and German langiage.

Jasper Morrison
Biography
Der Industrial designer Jasper Morrison is regarded as the leading exponent of the New Simplicity. Design, according to the principles on which Jasper Morrison operates, should never be obtrusive and forms are reduced to essentials. Jasper Morrison's stringently clear and functional furniture designs exemplify the simplicity now sought in design. Born in London in 1959, Jasper Morrison attended Kingston Polytechnic from 1979 until 1982 and then went on to the Royal College of Art. In 1984 he had a grant to study at what was then still the Akademie der Künste in Berlin. In 1986 Jasper Morrison opened a design studio in London. By the early 1980s, Jasper Morrison was renowned for his experimental furniture designs, such as the 1983 "Flowerpot" table and the "Wing-Nut" chair. In 1987 Jasper Morrison designed the "Thinking Man's Chair"for Cappellini, in 1992, the "Three" sofa, and, in 1989, "Day Bed". For Vitra Jasper Morrison designed the "Ply" (1989) chair, which prefigures the anti-materialist stance informing his later work. From 1989 until 1991 Jasper Morrison worked on designing "Sofa" and "Benches", the latter covered in black leather and accommodating one, two, or three sitters. As a designer, Jasper Morrison is concerned with arriving at simple forms that last, are functional, and do justice to the materials used. He has coined the term "utilism" to describe his approach.