Frame image
210
Gerhard Richter
11 Nov. 1996 (Teil des verworfenen Abstrakten Bildes 802-4), 1996.
Oil on canvas, firmly laid on a backing
Estimate:
€ 40,000 / $ 45,200 Sold:
€ 50,800 / $ 57,403 (incl. surcharge)
11 Nov. 1996 (Teil des verworfenen Abstrakten Bildes 802-4). 1996.
Oil on canvas, firmly laid on a backing.
Signed and dated on the backing in lower left. Lower right monogrammed. Inscribed "7" on the reverse. 28.7 x 17 cm (11.2 x 6.6 in). Backing: 42 x 29,7 cm (16,5 x 11,6 in).
[AW].
• Fragment of the destroyed painting "Abstraktes Bild" from 1994.
• Things are destroyed to make room for new creation.
• Richter's legendary squeegee technique leads to impressive depictions of the obscure.
• Gerhard Richter has been one of the most world's best-paid contemporary artists for many years.
PROVENANCE: Private collection Northern Germany.
LITERATURE: Cf. online catalogue raisonné, no. 802-4.
Hans-Ulrich Obrist (ed.), Gerhard Richter. 100 Bilder, Ostfildern-Ruit 1996, no p. (color illu.).
"I don't have a specific image in mind, I want to end up with an image that I hadn't planned at all. So, this method of working with arbitrariness, chance, inspiration and destruction allows a certain type of picture to emerge, but never a predetermined one. The respective picture should develop from a painterly or visual logic, emerge as if inevitably."
Gerhard Richter in a conversation with Interview 1990, 1990
Oil on canvas, firmly laid on a backing.
Signed and dated on the backing in lower left. Lower right monogrammed. Inscribed "7" on the reverse. 28.7 x 17 cm (11.2 x 6.6 in). Backing: 42 x 29,7 cm (16,5 x 11,6 in).
[AW].
• Fragment of the destroyed painting "Abstraktes Bild" from 1994.
• Things are destroyed to make room for new creation.
• Richter's legendary squeegee technique leads to impressive depictions of the obscure.
• Gerhard Richter has been one of the most world's best-paid contemporary artists for many years.
PROVENANCE: Private collection Northern Germany.
LITERATURE: Cf. online catalogue raisonné, no. 802-4.
Hans-Ulrich Obrist (ed.), Gerhard Richter. 100 Bilder, Ostfildern-Ruit 1996, no p. (color illu.).
"I don't have a specific image in mind, I want to end up with an image that I hadn't planned at all. So, this method of working with arbitrariness, chance, inspiration and destruction allows a certain type of picture to emerge, but never a predetermined one. The respective picture should develop from a painterly or visual logic, emerge as if inevitably."
Gerhard Richter in a conversation with Interview 1990, 1990
210
Gerhard Richter
11 Nov. 1996 (Teil des verworfenen Abstrakten Bildes 802-4), 1996.
Oil on canvas, firmly laid on a backing
Estimate:
€ 40,000 / $ 45,200 Sold:
€ 50,800 / $ 57,403 (incl. surcharge)
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