Lot 171
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Raumbeispiel
171
Ernst Wilhelm Nay
Ohne Titel, 1952.
Watercolor and India ink over pencil
Estimate:
€ 20,000 - 30,000
$ 22,600 - 33,900
Ohne Titel. 1952.
Watercolor and India ink over pencil.
Signed and dated in the lower right. On Hahnemühle laid paper (with the watermark). 48.3 x 63 cm (19 x 24.8 in), the full sheet.
Study for "Farblitho 1952", catalogue raisonné of prints no. 39. [MH].
• A colorful work from the important phase of his “Rhythmic Pictures.”
• After making the transition to pure abstraction, Nay arrived at a completely new form of design that combined color, shape, and line.
• This print displays Nay's characteristic style with clear colors and emotional depth: a prime example of his unique powers of expression.
PROVENANCE: Galerie Orangerie-Reinz, Cologne.
Private collection, Hesse.
EXHIBITION: E. W. Nay. Arbeiten auf Papier: Skizzen - Aquarelle 1949-1967, Galerie Herbert Meyer-Ellinger, Frankfurt am Main, October 13-November 24, 1979, cat. no. 3.
LITERATURE: Magdalene Claesges, Ernst Wilhelm Nay. Catalogue raisonné. Watercolors – Gouaches – Drawings, vol. 2: 1949–1953, Ostfildern 2014, catalog no. 52-091 (illustrated in color).
Called up: June 7, 2025 - ca. 15.34 h +/- 20 min.
Watercolor and India ink over pencil.
Signed and dated in the lower right. On Hahnemühle laid paper (with the watermark). 48.3 x 63 cm (19 x 24.8 in), the full sheet.
Study for "Farblitho 1952", catalogue raisonné of prints no. 39. [MH].
• A colorful work from the important phase of his “Rhythmic Pictures.”
• After making the transition to pure abstraction, Nay arrived at a completely new form of design that combined color, shape, and line.
• This print displays Nay's characteristic style with clear colors and emotional depth: a prime example of his unique powers of expression.
PROVENANCE: Galerie Orangerie-Reinz, Cologne.
Private collection, Hesse.
EXHIBITION: E. W. Nay. Arbeiten auf Papier: Skizzen - Aquarelle 1949-1967, Galerie Herbert Meyer-Ellinger, Frankfurt am Main, October 13-November 24, 1979, cat. no. 3.
LITERATURE: Magdalene Claesges, Ernst Wilhelm Nay. Catalogue raisonné. Watercolors – Gouaches – Drawings, vol. 2: 1949–1953, Ostfildern 2014, catalog no. 52-091 (illustrated in color).
Called up: June 7, 2025 - ca. 15.34 h +/- 20 min.
171
Ernst Wilhelm Nay
Ohne Titel, 1952.
Watercolor and India ink over pencil
Estimate:
€ 20,000 - 30,000
$ 22,600 - 33,900
Buyer's premium, taxation and resale right compensation for Ernst Wilhelm Nay "Ohne Titel"
This lot can be purchased subject to differential or regular taxation, artist‘s resale right compensation is due.
Differential taxation:
Hammer price up to 800,000 €: herefrom 32 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 27 % and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 800,000 €: herefrom 27 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 21% and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium. As an exception, the reduced VAT of 7 % is added for printed books.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.
Differential taxation:
Hammer price up to 800,000 €: herefrom 32 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 27 % and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 800,000 €: herefrom 27 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 21% and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium. As an exception, the reduced VAT of 7 % is added for printed books.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.
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